Friday, February 01, 2008

HOW BACH GOT HIS GROOVE BACK

The Silence Before Bach


If classical music were a weapon, tranquility would be its ammo of choice. With the capacity to lull listeners into utter complacency, the lighter works of classical composers tactfully disarm the senses. In The Silence Before Bach, Spanish filmmaker Pere Portabella examines the art and craft of making music with the same lightness of being emanating from the art itself. There’s no plot, action or anticipation, but Portabella holds our attention by tracking the connecting strands of sound.

Read the rest of the review in The Reeler...

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