GOREY GATHERING

The Lost

Before Chris Sivertson guided Lindsay Lohan through the unintentionally hilarious highlight of her career in I Know Who Killed Me, he had already developed a proficient style of visceral filmmaking in his preceding directorial effort, The Lost. Viewing this earlier independent work gives context to the big-screen joke that followed it: Say what you want about the amazingly miscalculated sequences that turn I Know Who Killed Me into an epic highlight reel of craptastic abuse, but there was a definite skill to the splendiferous sleaze. There’s even more of it in The Lost, which screens February 13 at the Landmark Sunshine Cinema in anticipation of a March DVD release.

Read the rest of the review in New York Press...