BEING BILL PLYMPTON
“It became a morality tale by accident,” Bill Plympton says of his latest animated feature film, Idiots and Angels, which has two more screenings at the Tribeca Film Festival on April 30 and May 3. Regardless of Plympton’s intent, the thematic consequence is right there in the title: Idiots and Angels follows a sadistic gun salesman ignorant to the struggles of those around him—until a pair of angel wings inexplicably grow on his back, and with them comes an emerging sense of responsibility.
Like Plympton’s best works, dialogue is non-existent, replaced by the expressive quirks of his fluid line drawings and abstract comedy. Where quintessential Plympton shorts—such as the Oscar-nominated Guide Dog—express a vivacious, chaotic glee, the new feature contains a relatively contemplative feel.
Read more in New York Press...
“It became a morality tale by accident,” Bill Plympton says of his latest animated feature film, Idiots and Angels, which has two more screenings at the Tribeca Film Festival on April 30 and May 3. Regardless of Plympton’s intent, the thematic consequence is right there in the title: Idiots and Angels follows a sadistic gun salesman ignorant to the struggles of those around him—until a pair of angel wings inexplicably grow on his back, and with them comes an emerging sense of responsibility.
Like Plympton’s best works, dialogue is non-existent, replaced by the expressive quirks of his fluid line drawings and abstract comedy. Where quintessential Plympton shorts—such as the Oscar-nominated Guide Dog—express a vivacious, chaotic glee, the new feature contains a relatively contemplative feel.
Read more in New York Press...
Labels: bill-plympton, billplympton, eric kohn, eric kohn film, guide-dog, guidedog, idiots-and-angels, idiotsandangels, new-york-press, nypress, plymptoons, tribeca-film-festival, tribecafilmfestival
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